I’ve previously blogged about my experience of writing and performing a monologue as part of a Roots Touring production of ‘Queer Spaces’. The production was staged at The Stephen Joseph Theatre and also the York Theatre Royal.
The Assistant Producer and Literary Coordinator of the Stephen Joseph Theatre, the talented and lovely Fleur Hebditch (@Fleurhebditch) saw the production. She subsequently Directed the performance of my script again as part of the SJT’s ‘Second Stage’ which is described as a showcase for new writing talent.
My monologue was performed (beautifully by Jacky Naylor) alongside excerpts of scripts by Annie Fox (@anniekathfox) – ‘The Sleepwalkers’; Elizabeth Godber (@elle_godber) – ‘An Unexpected Birth’; Cara Christie (@CaraMChristie) – ‘Influenced’; Jingan Young (@jinganyoung) – ‘Hong Kong Tragedy’; Steven Bloomer (@stevenbloomer)– ‘The Burn’ and Sadar Mohammed’s ‘Ducks’.
After the performances, Annie, Elizabeth, Steven and I were invited to participate in a Q & A session with the audience. We had loads of astute questions from an enthusiastic audience and it was a warm, fun experience. It was also affirming to gain the support and encouragement for my writing.
And that is the point. The excerpts of plays showcased were without exception seriously good. Each touched on some thought-provoking themes including loss, dementia, and abuses of power. I personally hoped to be able to see each and every script fully staged and performed and from the audience reaction it was obvious others hoped for the same. But as any writer will confirm, it is ridiculously difficult to get one’s work noticed and scriptwriting has a difficulty niche all of its own.
The Stephen Joseph Theatre – in addition to being a pioneering theatre, film, and music venue with a reputation for delivering a marvellously diverse and entertaining programme also has an extraordinary participatory ethos. Its outreach programme involves all ages and communities, and actively seeks to encourage and support new writing, acting and performing talent and I cannot state strongly enough how important I think this work is.
I know from personal experience that freeing imagination is liberating. Through a process of enabling communities to represent their own experiences, the process of identity formation is strengthened and a sense of belonging and contribution can be facilitated. Moreover, the opportunity to present new voices means the opportunity for different life experiences to be seen and heard. Theatre outreach is progressive, arguably political, and has huge potential for the generation of positive and respectful approaches to social coexistence.
I am hugely grateful to the team at the Stephen Joseph Theatre for showcasing my work and for their dynamic approach to ‘theatre in community’.
I can’t end this post without giving a big shout out to the fabulous cast. Andrew Dunn (@theMr Andrew Dunn); Siu-see Hung (@siuseehung); Sarah Pearman (@_sarahpearman); Chris Jack and Jacky Naylor. They were amazing.